No Choice 2 - Remembering HD DVD

Back in August '07 I wrote a lengthy article about the format war, and how essentially the whole thing was about not giving customers a real choice.

On February 19th 2008, Toshiba announced they'd discontinue HD DVD, which is considered by most to be the end of the format war (if you don't agree, I'll come to that in a second).

Now that things are over, I feel the looser at least deserves to be remembered for what it was, what it brought to the market, and what we can look forward to in the high definition area.

What has happened since August 07

The following is a brief attempt at a timeline since my last article - it is by no means complete but should give you an idea as to what happened.

September 2007

October 2007

November 2007

December 2007

January 2008

February 2008

Is it really over?

There are still a bunch of studios outstanding (probably for reasons I'll come to later), but I feel with Toshiba gone, the format will wither and die - regardless of how much many HD DVD supporters would like it to stick around (the author has a sizable HD DVD collection himself and no plans to give them up - well, except perhaps those titles that really deserve a better master). We can revisit the argument in 6 months or so to see where we're at once the supplies of Toshiba manufacturer players have run out, when Warner has stopped releasing HD DVDs and see how much remains.

 

Why I'll miss HD DVD

The reasons in my previous editorial still all very much apply. Let's start with size yet again. I figured besides looking at the technical reasons why more size and theoretical bandwidth (I still haven't found any numbers as to VBV buffer sizes), I'd give the real thing a shot.

During 2007 I started a collection of HD DVD discs which had amassed to 100 titles by New Year's eve. And quality widely varies. There are stellar transfers (like Matrix.. you'll be hard pressed to find a flaw while watching the movie (as mentioned many times in my codec comparisons - and yes, I have not given up on them just yet - stills can be very misleading), there are old transfers that hardly look any better than DVD (I was very underwhelmed by 12 Monkeys as an example), there are average transfers, etc.

Warner released a bunch of titles that look interlaced, due to some production fault (the same applies to the corresponding Blu-ray releases), but I also saw that from Universal with Waist Deep.

I even have a few discs that use MPEG-2 (Fantastic 4, Resident Evil & Resident Evil Apocalypse) and even a single layer disc using VC-1 (Unleashed), where the tech specs already had me wondering if that was a smart choice. Incidentally, the results were not as bad as I had expected although no such disc even gets close to the caliber of Matrix & Co.

The 3h epics I watched (Troy, King Kong) looked surprisingly good (the former even had lossless audio). I know some cite those movies as examples on how HD DVD looks soft, I recently found myself wondering about the quality of certain things I saw in the movie theatre - especially when dealing with scenes with fog I asked myself 'doesn't that look smoothed out' - and that really should serve as a wake-up call. In the end, to determine whether whatever output truly represents the source, we'd need to compare it to the source and only the source. Certain movies are very smooth, other are very gritty, or grainy. If a very grainy movie comes out very smooth with little grain, then there's something off (no matter how much I dislike the excessive use of grain we sometimes see.. ), but that goes the other way around too.. the output can be too sharp when the source wasn't so sharp, and just because a sharpener has been used, together with a codec that makes things look particularly gritty (and if you recall the codec tests, AVC is much better at that look), you might like the output, but it can also be quite far from the original.

After watching through 40 Blu-ray titles of various age, one feeling that was always present was quite some grain. Interestingly, that varied a lot even during some movies. Take the critically lauded Pirates of the Caribbean series. The result looks spectacular during day scenes - and I didn't notice any grain that bugged me. However, during night scenes, it seemed to me that the amount of grain suddenly increased to an amount that bothered me (I could imagine that the source would have that effect too, though it's been too long since I saw these movies at the theater). That's not saying that these titles have reference quality, but that you can find something that bugs you everywhere. Or if you like to pause the movie to find flaws, take Live Free or Die Hard and look at the night scene just before the 20 minute mark, or at close-ups in the tunnel after the explosion. The title overall looks great, but you can find flaws, regardless of the format.

A whole bunch of older movies, regardless of how recent their release and the fact the they're AVC encoded BD-50 titles (e.g. Con Air, Die Hard 1-3), appeared washed out and easily matched mediocre HD DVD transfers.

And if you want to see an example of a really crappy Blu-ray disc, have a look at Fox'es BD-25 MPEG-2 Transporter 2. It looks okay until you get to a fight scene.. and then it looks like a DVD. And I already mentioned the interlacing effects, but I also found that in resident evil, if you look at the ridges of the mountains (e.g. timecode 7:51) you'll see a staircase effect that also looks like an interlacing remainder (which seems weird for a new movie).

At the end of it all, there were excellent titles and bad titles, just what I've grown accustomed to with HD DVD. I was also quite disappointed in the extras.. despite the additional space, there's hardly any 1080p extra material (that could change though, more recent titles tend to at least have parts of the extras in high definition).

Bottom line, video quality wise, if properly done (starting with a good master, and ending in a proper encode), I remain unconvinced as ever that 50GB are a necessity.

Audio wise, I doubt my equipment is up to the task of a proper blind test even - I neither tried much, nor did I notice anything (other than the sound levels being different which may give you a wrong impression) when I tried. If I recall correctly, there was a small blind test on compressed / lossless on AVS at some point which wasn't quite as conclusive as some slamming discs that contain no lossless audio had wished. To me, lossless would mostly be an argument if you want to recompress, and with BD+ there's currently no recompression (and is there a filter for DTS MA?) so it kinda is like walking into a wall at the point I'm writing this.

The fact that HD DVD is region free allowed me to gather titles from all over the world, a bunch of which from Blu-ray exclusive studios. While having case art and sometimes even menus in another language is not everybody's thing, I really appreciated the hasslefree use of discs from all over the world.

At this point, every single HD DVD I have can be copies to any other format I like - thanks to the lack of the still undefeated BD+.

Once I had the GFX card driver issue sorted (HDCP and such), I was basically able to stick to one PowerDVD release - with final specs, new keys are the only reason to update your software player.

I also feel that specs further translate into the much more consistent user experience when it comes to navigating menus. Put in a recent HD DVD disc, and after the studio logo you're in the main menu, and every main menu can be navigated the same (there are exceptions to the rule though.. I recall one disc where using the arrow keys I could enter one menu and only get out of it again by using the right click menu and navigating to another title) way. When looking at Blu-ray, you have studios that put trailer after trailer before you even can get to the menu (and you can't press the menu button.. you have to press next time and again), and that is followed by menus that are not always easy to navigate and that differ a lot in between discs both in design and how you can navigate them (some can be navigated using arrows and allow a simple 'go back to the previous level' by using an arrow key, others require that you navigate to an X button and press enter, etc.). While I cannot blame the format as such (and on the subject of trailers I also never understood the HD DVD promotional trailers on certain HD DVDs - I bought an HD DVD disc after all so I know it's better than DVD and I need no trailer telling me so), I believe that the simplicity and toolkits that were more complete from the getgo contributed to the more consistent user experience.

Last but not least, HD DVD hardware more closely matched the price development of traditional DVD back in the day. I recall when my parents first equipped the living room with a surround sound system and a DVD player (Q2 1999 if I recall correctly, or perhaps Q1). The price we paid for the DVD player then (7 quarters after the format launched in the US), was somewhere between $200 and $230 (using the exchange ratio we had back then but no adjustment for inflation) - and that player still works today and plays current discs (more about that later). I honestly don't recall when I got my first DVD-ROM drive for my PC (I remember the manufacturer though - Toshiba - and a Toshiba DVD-ROM started going bad on my under mysterious circumstances in 2000), but at $199 in January 2007, I didn't feel like I was paying too much (buying WinDVD was a major disaster though and a waste of money).

Why smaller / independent studios (and the porn industry) will miss HD DVD

Cost, cost, cost. When you're producing smaller series (sorry, Pirates or Debbie does Dallas again don't sell as much as POTC, Spiderman or Transformers), production cost matters more and more. Take AACS as an example. For large studios it's a given - but there were DVDs and now there are HD DVDs that come without AACS. The reason is mainly the additional cost and delays that adding AACS adds. With HD DVD, AACS is optional, with Blu-ray it's mandatory.

Prior to AACS we have authoring. Basic interactivity isn't hard to achieve, but if you're comparing iHD and BD-J, the latter (while undoubtedly more powerful) is more difficult to master and that translates into cost.

Then we have replication. The now defunct insider threads at AVS contained interesting tidbits about replication costs and yields, though information is generally not so easy to come by. Last fall, it was reported by a Blu-ray insider that even with single layer discs, not only were yields not nearly where HD DVD yields are (95% for dual layer discs), but that yields also go down with size - so studios were better off not filling up a disc. With dual layer Blu-ray discs, that only gets worse. In fact, even the most recent numbers from a non Sony site, show that the numbers of the latest production lines still are nowhere near where HD DVD already was months ago. But why doesn't this translate into higher costs of Blu-ray movies? Mainly because Sony subsidizes production so major studios get the same deal on BD production as they get for HD DVD. But not every studio gets that deal. So if you end up paying $4 instead of $1.xx per disc replicated, and you're looking at small series (only few titles sold more than 100k units and that's from major studios), you either accept a lower margin or set the price higher (and HD media is already expensive as it is with suggested retail prices that end in near $40). And Sony, the first player in the replication market also reports yields of only 85% for single layer and below 80% for dual layer discs.

 

And what do we have to look forward to

With HD DVD folding, there's just Blu-ray remaining as high definition disc format. Well, there's HD VMD but can you take that seriously?

High definition download solutions have taken on some steam in the meantime, but they still face the same issues: incompatibilities, lack of available bandwidth into people's homes, ISPs throttling traffic, and so far those services are only 720p.

So, back to Blu-ray, I doubt anybody minds 2/3 more capacity regardless if it is put to good use as well as the improved bandwidth, regardless of whether you can really see the difference. And having movies from all major studios on the same format most definitely will not hurt. Having a more scratch resistant coating also won't hurt, especially if you're not a careful person (I'm anal about handling optical discs so I don't need scratchproof.. I just don't give out my discs to other people) or if you hand out discs to careless people.

And then there's the but that just had to come. Blu-ray may have won the war against HD DVD, but that doesn't automatically make it the successor of DVD. The reasons that were cited against Blu-ray didn't just vanish overnight.

Here's a brief rundown of what could hamper Blu-ray in the long run and as a possible replacement to DVD

(note that some points also apply to HD DVD but since the format is now defunct, the argument is kinda moot)

You'll see that various of these points have been taken up by analysts, e.g. ABI Research, and even industry players call for a redoubled effort to increase production capacity and bring more products to the market. And I took some perverse pleasure in seeing my favorite Blu-ray shill - Bill Hunt - effectively raising the same issues as MUST now, that prior to winning the war, only HD DVD proponents raised about Blu-ray (notably player prices and profiles). Things can go fast some time..

At this point, I think the good old 'the only thing that can Blu-ray is Blu-ray' applies.

Conclusion

Here we are again, and we didn't really have much of a choice in the end.

Warner's defection came with various stories about major payoffs, given to both Warner ($500 million was mentioned multiple time) to become exclusive, and to Fox (somewhat over a $100 million) to not switch camps. While some cast doubt on the validity of these stories (Warner denied being paid off, but you know it is with PR.. it's a matter of wording and promotional incentive != payoff), the Paramount/Dreamworks defection came with a similar story in the NY Times, and the Warner story was reported in the Washington Post - neither some kind of rumor blog.. so in all fairness I think you should either accept both or none.

Up until the end of 2007, despite massively lagging behind Blu-ray in terms of hardware sales (though still leading in standalone player sales as we now know.. 600k in the US versus 500k Blu-ray, and 100k in Europe versus 23k Blu-ray), HD DVD managed to keep up a 34 : 64 sales ratio and thus a quite impressive attach ratio. In the end, those that bought into HD DVD did so with some enthusiasm, and many a Blu-ray player owner (PS3 owner) didn't even bother to check out a Blu-ray disc. Given the price differential, I'm convinced that had things been equal (all discs available in both formats), we'd have seen a different outcome (player prices being what they were in the end).

Lacking a PS3, things would also most certainly have turned out differently (regardless of the marketing that the Blu-ray camp used really well) - but Sony was willing to plunk down unheard amounts of money to bring out the PS3 with Blu-ray, and forfeited their position in the next generation console war (the PS3 is still trailing far behind its competitors though recent Blu-ray boost appears to have given it a boost) to make Blu-ray a success. Amidst the PS3 subsidies, subsidies for disc production and payoffs/promotional incentives paid to studios and adapting the format to accommodate the most paranoid studio (BD+), Sony basically bought the way to victory.

In the end that way lead to Warner's defection which triggered a chain reaction which in turn eventually lead to Toshiba pulling the plug. And you cannot argue that paying off studios (keep in mind that I said the same thing when Paramount went HD DVD exclusive) gave us any choice.

Now we have a format that brings back region coding and prevents us from doing with the discs what we like (BD+ still uncracked despite Slysoft's best efforts), and that's considerably less choice than the other format would've offered. And the potential (viability to be determined) alternative - downloads - is just as DRM encumbered and thus choice limited.

The only choice (and not really one if you've seen the difference) would be going back to DVD (and battle the structural protections once more) - or limit your movie intake to the movie theater.